Ten things I now know about Tasmania

…And so I was off in Tasmania, perched at the hinterlands of Australia, an inverted triangle hanging over the far-flung reaches of Antarctica thousands of kilometres south. If New Zealand feels near the end of the world – and it does, often – Tasmania is the creaking doorway, left ajar in a howling southerly wind. 

In my epic quest to one day say I’ve “done” Australia, our southwestern island neighbour was the next step. I am always intrigued by the places on the edge, and hey, there’s a direct flight from Auckland to Hobart three days a week – let’s go, mate! So here’s 10 things I learned about Tasmania: 

1. It really is the edge of Australia. Lest we forget, Australia is bloody HUGE, mate – almost as big as the entire continental United States – and Tasmania is about the size of Ireland all by itself. Its geographical isolation across the Bass Strait has led Tasmania to develop its own evolutionary spins on life and a culture that stands out from the rest of Australia. We took a leisurely 10 days or so and still only scratched the surface of what you can see there. Things like… 

2. It’s got animals you’ll see hardly anywhere else. You’ll easily run across wallabies and the smaller pademelons, fluttering kookaburras and cockatoos, perhaps a most excellent quoll, but unless you’re patient you may not see rarer things like wombats, platypuses and echidna in the wild – but they are there. And of course, the Tasmanian devil is one of nature’s greatest curiosities – a pudgy dog/pig-looking fella that has one of the powerful bites in the entire mammal kingdom, lives only a few years and yes, just like the cartoon character, they’ll eat about anything to power their speedy metabolism. They’re amazing little buggers and they’re also highly endangered, which leads us to …

3. Unfortunately, you’ll see an awful lot of dead animals. I’ve seen kangaroo roadkill elsewhere in Australia but I’ve never seen quite as much marsupial carnage as I did on the roads of Tasmania – deceased possums, wallabies, wombats and ‘roos dot the highways like road markers, hundreds of them. At night time the roads become an animal highway, and vehicles become murder machines. And then there’s the sad familiar story of the thylacine or Tasmanian tiger, a fascinating carnivorous marsupial the size of a Labrador that roamed these hills for millennia – until 1936, when the very last one died in a Hobart zoo. You can see its skin in a bittersweet room devoted entirely to the thylacine at the Tasmanian Museum in Hobart, with specimens, rare images and even a few brief snippets of film. What a gorgeous creature it was, until we humans came along. 

4. They made their buildings to last, here. Auckland’s got a bad habit of knocking down its historic buildings and so it was a pleasure to see so many sturdy stone buildings all around Tasmania, from downtown Hobart to wee towns in the middle of nowhere. Even a mid-size town like Launceston boasts at least a half-dozen amazing ornate stone churches more than a century old.

5. They do darned good bookstores. I brought home a tidy pile of Tasmanian and Australian history books to add to my library, and for a wee island Tasmanian nonfiction and literature are pretty booming genres. Particular shout-outs to the awesomely named Cracked And Spineless and Fullers in Hobart, Petrarch’s Bookshop in Launceston and my favourite, The Book Cellar in the historic Midlands village Campbell Town, built in the historic convict cellars of an 1830s inn. It’s like a dungeon but full of books!

This bridge was built in 1823!

6. Tasmania was a place of racial genocide, and it knows that. The dire fate of the Aboriginal Tasmanian nations is a black mark on history, and to its credit, Tasmania acknowledges that early settlers basically set out to exterminate them by suppression, relocation and flat-out massacres. Truganini, for years called the “last” Tasmanian (she was a full-blooded Tasmanian and quite possibly the last of that time), has a moving memorial on her native Bruny Island that looks out over the sea. Today’s descendants of the original Aborigines are working hard to keep the culture alive, but for many years, the native people were treated as little more than pests to be wiped out. The highly recommended Truganini: Journey Through The Apocalypse by Cassandra Pybus digs deep into this dark time, and while it’s not exactly comforting reading, it’s history that must be remembered. 

7. Tasmania doesn’t shy away from that bleak history. For much of its recent history, this gorgeous island was a place of pain – the fate of the indigenous as mentioned above, and its claim to fame as one of the main dumping points of convict transportation, where British criminals – even children – were shipped around the world to exile in Hobart and the rest of Australia. In Tasmania, one of the bleakest spots you could be sent was to Macquarie Harbour on the far west coast – the arse end of the arse end of the world in those days – while a bit later on Port Arthur was turned into a virtual convict city. The ruins of Port Arthur stand today and are a haunting kind of convict theme park – drawing tourists from all over the world, and the silent bricks and ruins feel like they pulse with the despair of the past. Australia’s worst gun massacre also happened in Port Arthur in 1996. There’s no whitewashing of all the bad things that have happened in Tasmania in the museums and sites we visited, and at a time when objective truth feels slippery, there is some cold comfort in that. 

8. It was where the explorers came to find the end of the world. One single spot, Adventure Bay, boasted visits from Abel Tasman, Captain Cook, William Bligh, Bruni D’Entrecasteaux and more during the 1600s and 1700s. A lot of bad stuff happened as a result of the exploration days, yes, but I still remain fascinated by the voyages they took, centuries ago. 

9. There’s a world of landscapes in Tasmania. We only got to some of the island – much of the west and north will have to wait for the next trip – but it’s as rich a landscape as the South Island of New Zealand, with sweeping farmland, dense rain forest, gorgeous beaches and rocky monoliths all tossed together. Nothing quite captures the contrasts like Hobart’s Mount Wellington or kunanyi, which rises a sharp 1200+m above sea level to tower over the harbour town – a pretty quick drive up it takes you into pure alpine country, capped off by a huge plateau summit with dolerite columns swelling up everywhere like some Martian landscape. 

10. Big trees, big dreams. I love a big tree. Towering stands of eucalyptus up to 90m (300+ feet) tall can easily be found, and hidden in the bush is Australia’s tallest tree, Centurion, 100 metres tall. You can’t go wrong with a big tree, no matter how weird the rest of the world might seem these days. 

Australia, the forever frontier

I moved to New Zealand years and years ago, but secretly, I’ve had a longstanding crush on Australia. 

I just got back from my ninth trip ‘across the ditch,’ which I guess isn’t a lot compared to many Kiwis, and I feel I’ve only begun to scratch the surface of the vast sunburnt expanses of Australia.

As part of my so-called career, I’ve worked for Australian journalism on and off for more than 10 years now from the comforts of NZ. It’s something that would’ve been impossible in the pre-internet age, but I’ve written headlines and copy edited from Sydney to Cairns, Darwin to Melbourne, Shepparton to Townsville, and “worked” remotely in far more of the places in Australia than I’ve ever visited. It does the head in a bit, actually, to think about this too hard. I’ve worked with a lot of Australians and visited scrappy newspaper offices in rural Victoria and deep in the vast Northern Territory, and it’s always kind of cool to realise journos are basically the same no matter where you go. 

Australia has sparked my imagination since I was a kid, bopping along to Men at Work songs and was caught up in the brief weird wave of Australia-mania in the US in the ‘80s, when Olivia Newton-John, Mel Gibson, Crocodile Dundee and Koala Blue took over. Since I moved to New Zealand, I’ve managed to meet both Midnight Oil’s Peter Garrett and Men At Work’s Colin Hay, both totems of my youthful fascination with all things Aussie, and in my stumbling geeky way got to tell them both how much their music helped shape my brain. 

I first made it to Sydney circa 2007 and if it weren’t for a combination of pandemics, expensive trips back to American family, and juggling life, work and school back here in Auckland, I imagine I might have gone a lot more. Some of those things have changed in recent years and the wife and I are hoping to make hops across the ditch a more regular thing. After a mere three hours or so flight, you can explore a whole different world. Australia contains multitudes, from sprawling big cities to rugged bush to staggeringly beautiful wide horizons. 

Australia and NZ are both allies and “frenemies” and while there’s a lot shared between our two countries there’s a lot of differences as well. Australians are a bit brasher, bolder and louder, with more of that American-style frontier spirit combined with a very Aussie informality, sometimes crudeness. It can, like everywhere, be an ugly place at times and has a rough and raggedy history. Unfortunately, like America, Australia’s indigenous culture was largely suppressed and exterminated for decades, but is still alive in the heart of the Dreaming and it’s not quite like anything else in the world. 

But hey, I’m no expert, mate. I just like it there. I like that you can see these huge iguana-sized water dragons in city parks strolling around, hear kookaburras in the trees, towering gum trees everywhere you look, the rocks in the Red Centre that hum with ancient whispers. I like that for now, Australia still has a robust newspaper industry in the cities even if it’s mostly the Murdoch Empire, I love the scrappy sounds of young Australian punk bands and the writing that tries to capture the mysterious meaning of the bush.

There’s so much more I want to see – I’m desperate for another trip to the haunting Red Centre, want to check out the famed Ghan train ride across the desert, still haven’t been to Adelaide or Cairns, or just wandering along the bush and the Outback and heck, maybe even ridiculously far away Perth. I’m curious about the steamy weirdness of Darwin and really want to check out the Mad Max-style badlands of Coober Pedy and Broken Hill. And Tasmania! What about Tasmania? 

Don’t get me wrong – New Zealand is swell, comfortable for us, with a lot cooler temperatures and a whole lot less creatures that can kill you. But the grass is always a little greener on the other side – or perhaps, the dirt is redder. I’m always excited to explore that forever frontier just across the Tasman Sea. 

The Kinks, the Australian Outback, a memory, a dream

I’m roaring through the Australian Outback, more than 100km/h, past red dirt and yellow grass and under blue skies, and I’m listening to the Kinks. 

Every day I look at the world from my window – Waterloo Sunset, The Kink

I’d always wanted to go to the Red Centre, the wide-open Outback sung about in songs by Midnight Oil and ancient, enigmatic and empty. I went a few years back to Alice Springs, isolated and strange, and Uluru, the massive sandstone monolith hunched right at the heart of the old country. 

There was no internet, and a few CDs I’d grabbed in Sydney in my rental car for the 4-hour drive from Alice Springs to Uluru. One of them was the Kinks’ Something Else, their fifth album, from 1967. 

Uluru stands out alone in the middle of a vast plain of red dirt, a giant unopened eye half-peering over the horizon, expanding in your car windshield from a distant hill to a  towering monolith, all the more impressive for its isolation. 

This is my street and I’m never gonna to leave it / And I’m always gonna to stay here if I live to be ninety-nine – Autumn Almanac, The Kinks

The Kinks are a band that grows on me more and more the older I get. Perhaps it’s because of all the big ‘60s bands, The Kinks are the ones who seemed middle-aged even when they were young. Oh, they were hell raisers, don’t get me wrong, but Ray Davies’ lyrics always looked inward, introspectively. They were nostalgic for a world that’s never been. Ray Davies’ world view always seemed perpetually middle-aged. 

Time is as fast as the slowest thing – Wonderboy, The Kinks

The Beatles looked back at the past either with droll mockery (“For The Benefit of Mr. Kite”) or soul-baring pathos (“Eleanor Rigby”). The Stones generally only looked back at things that involved them getting laid. The Who looked back, with anger. 

But The Kinks often looked back with rose-coloured glasses, with wistful thoughts of the way things used to be, or should’ve been. “Waterloo Sunset,” “Death of A Clown,” “Victoria,” “Celluloid Heroes,” “The Village Green Preservation Society.” 

I miss the village green, And all the simple people. – The Village Green Preservation Society, The Kinks

The Australian Outback humbles you. It’s vast, sprawling, primordial and raw. It’s the oldest place I’ve ever been. Hiking through 40C+ heat, desert black flies pickpecking away at all your exposed flesh, the world reduced to prime colours – red, blue, brown blending into yellow. You feel a weight. You feel history, and the weight of something that’s been around way longer than you, or anybody you’ve ever known. 

Nobody has to be any better than what they want to be – Australia, The Kinks

The Kinks felt a weight too, even if they would never articulate it precisely as that. It’s the weight of what might’ve been, what was, what could never be. Sometimes music and a place blend together in your mind, and you can’t separate the two in your memory. 

The Outback is an old, old place, older than just about anywhere else, and Ray Davies sings for me. 

As long as I gaze on Waterloo Sunset, I am in paradise.