
I’ve written before about my love for the weird stuff Marvel Comics put out in the early 1970s. Perhaps one of their strangest gambles was a series that could only have risen from the grave in the age of The Exorcist and The Omen. Let’s give it up for … The Son Of Satan!
After years of comics being constrained by the Comics Code Authority, the reins were loosened a bit early in the 1970s, allowing previously taboo subjects. Marvel Comics went BIG on the horror in the early ‘70s, and as a result dug up some of its best work. Dracula, Frankenstein’s monster, a living mummy, a Man-Wolf, a werewolf, a zombie, hell, even a golem and a Manphibian … They’d throw anything at the wall of the horror superheroes boom to see if it stuck.
So why not the Son of the Dark Lord himself? Hilariously, according to a feature in Back Issue magazine #21, Stan Lee actually proposed Marvel do a comic book starring Satan himself – in other words, DC/Vertigo’s Lucifer decades ahead of its time. Cooler heads prevailed and instead a feature called Son of Satan debuted in a 1973 issue of Marvel Spotlight, starring Damien Hellstrom – also confusingly sometimes called “Hellstorm” – the son of the devil and a mortal woman torn between two worlds.
You’ve got to admire the chutzpah of calling a comic book Son of Satan – Fredric Wertham surely would be turning in his grave. I love the title, even when the book itself was rather schizophrenic – during his 20 or so issue solo run in Marvel Spotlight and then his own short-lived comic, Damien Hellstrom’s adventures fighting both evil and his own evil side ran all over the place and went through many creators (the best being the late writer Steve Gerber). At one point, he even got into a fight with Adam – yes, that Adam. Like many Marvel books of the era, Son of Satan constantly changed course to try and win readers. He was clad in circus-devil yellow and red and carried a pitchfork, teamed up with Human Torch and Ghost Rider and kept on with all his daddy issues.

He did get flak – at least one letter writer accused the creators of being “tools” of Satan. Artist Herb Trimpe told Back Issue he was “uncomfortable” with “evil being the star of the book.” Years later, ol’ Son Of was even retconned so he wasn’t actually the son of that Satan, but of a more generic demon who sometimes called himself Satan. Son Of Someone Who Might Be Satan really isn’t as catchy.
The original ‘70s run was all nicely collected in the Son of Satan Classic paperback. Later, Damien popped up in Marvel’s clearing-house non-team book The Defenders for some fun stories, and kept bopping around ever since. You can’t keep a good devil down.
Hellstorm got grim and gritty in the 1990s, really leaned into the whole Satanic thing and started looking like Rob Zombie and gave up the superhero spandex in a 1990s well-received gory reboot by Warren Ellis. He’s often been an outright villain in more recent appearances. He’s even finally getting some kind of adaptation in a TV series (with a fairly underwhelming first trailer, and this time he’s spelled Helstrom!).

Admittedly, the entire concept is better geared towards dark horror than heroics, but I still kind of dig the era when a guy calling himself the Son of Satan ran around in a superhero cape. “Hellstrom” or “Hellstorm” or whatever is a decent enough name, but to be honest, if you’re the son of the devil, you need to own that.
Son Of Satan is an intriguing little throwback to an era when such a character could be featured in what were ostensibly kid’s comics without major protests. So you know, hail Satan — he might just have cleared the way for much darker and grimmer comics yet to come.